"Records of Simple Truth and Precision": Photography, Archives, and the Illusion of Control

  • Joan M. Schwartz

Abstract

This introduction to early nineteenth-century critical writing on photog-raphy as a constellation of technologically, culturally, and socially constructed practices prompts reflection upon the shared paradigmatic origins of photographic practices and archival practices. In elucidating the role of photographs in the production of social knowledge, it also furnishes insights into the function of photographs in society– in the business of life and in the life of business – and, by extension, sheds newlight on the nature of photographs as documents and the place of photographs inarchives. Finally, it invites close consideration of the parallels between the vocabularies of photography and archives, and of the implications of the postmodern destabilization of photographic truth on the intellectual underpinnings of archives.

RÉSUMÉ

Cette introduction à la littérature critique du début du XIXe siècle sur laphotographie, vue comme une constellation de pratiques technologiquement, culturellement et socialement construites, amène l’auteure à une réflexion sur les origines paradigmatiques communes des pratiques photographiques et archivistiques. Enéclairant le rôle des photographies dans la production de la connaissance sociale, ellefournit également des idées sur la fonction des photographies dans la société – dansles affaires de la vie ou dans la vie des affaires – et, par extension, répand unenouvelle lumière sur la nature des photographies en tant que documents et sur la placede celles-ci dans les archives. Finalement, elle invite à prendre en considérationles parallèles entre les vocabulaires de la photographie et des archives, ainsi que lesimplications de la déstabilisation post-moderne de la vérité photographique sur lesfondements intellectuels des archives.

Author Biography

Joan M. Schwartz
Joan Schwartz (Ph.D., Queen’s University, 1998) is Senior Photography Specialist at the National Archives of Canada, where she has worked in the area of photography acquisition and research since 1977. She is currently Adjunct Professor in Art History, Queen’s University, Adjunct Research Professor in History and Geography, Carleton University, and Research Associate of the Frost Centre for Canadian Studies, Trent University. She is on the editorial advisory boards of the Royal Canadian Geographical Society, The Oxford Companion to the Photograph, and Archivum. She is also Exhibition Reviews Editor for Urban History Review and co-editor of the forthcoming collection, Picturing Place: Photography and the Geographical Imagination (I.B. Tauris, 2001).
Published
2000-11-01
How to Cite
Schwartz, Joan M. 2000. “"Records of Simple Truth and Precision": Photography, Archives, and the Illusion of Control”. Archivaria 50 (November), 1-40. https://www.archivaria.ca/index.php/archivaria/article/view/12763.
Section
Articles